A ZINE IS NOT A D.I.Y. BOOKLET




[IMAGINE] ZINECULTURE
A zinedepo zineculture workshop

WHAT YOU WILL NEED


preparations
you will be asked to make 4 pages (to be published on A5 format) in any medium u like (writing, photo,draw,collage etc.)
based on the following:


                            
1. [imagine]

2. to dig

3. (execute/print)

4. copy this!

zineculture often operates outside the mainstream, and therefore the call to 'imagine' on the first page suggests that to imagine a different world is a first crucial step towards actualizing it. It is a reference to a poem of Yoko Ono

welcome (or not):
the cover of the zine is the first thing you'll see, it is often a good indication of its content, some zines are inviting, others are hermetic or even sectarian, in many zines there is hardly a difference between the cover and the other pages, many zines do not have a clear beginning and end and appear to be parts of a larger interconnected system
how-to act (or not)
steps towards:
instruction:
because zines are all about being active and self organizing and encouraging others to do so too, the second page contains some kind of description or representation of what steps to take (or not)
the outcome (or faillure):
the drawing/text/artwork/pictures:
the third page shows the result of the activity while or after it is executed or performed, it shows you that there is another world out there how marginal or unsuccesful it may be
connecting/
(or not)
community building:
zines are more than diy booklets, they organize their community by taking care of their own distribution; for example by sharing links to other zines, but there are also zines that are distributed (anonymous or not) randomly in public spaces, or use an algorithmic instruction like "copy this!" or like in mail art; "add & pass!" (ray johnson): the nature of the distribution is part of the identity of that specific (sub)culture

example 1

example 2

example 3

example 4


NOTE


Think about using (at least 2) different media or languages for different pages.
For example write the instruction on page 2 in programming language and execute it
in poetry on page 3, or use drawing for page 1 and photography for page 2




REFERENCES INSTRUCTION BASED ART


scripted/ instruction based art
Yoko Ono and Grapefruit (pdf)   Murals of Sol Lewitt   Allan Kaprow (pdf)  La Monte Young (pdf)   Seymour Papert and Turtle Geometry   Augusto Boal Games (pdf)   Wilfried Houjebek and Generative Psychogeography   Studio Moniker and Conditional design  
etc etc

ORIGINS OF ZINECULTURE



your wikipedia guide to the origins of zineculture is as good as any
fanzines   self-publishing   diy cultures,   pamphlets,   manifestos,   scrapbooks,   samizdat,   mailart and fluxus,   situationism and neoism,,   penpals,   small press and underground comics,   punkzines,   harlem rennaissance,  
90's categories of factsheet 5
quirky, medley, books, recordings, catalogs & stuff, sex, film, fringe, self-publishing, music, punkzines, grrrlz, perzines, humor, spirituality, queerzines, politics, art, letters, comix

LINKS






Dutch Other Literature/ papers
zinecamp
spread zinefest
anders zine
pisswife
girls go boom
blitzbooks
hocus bogus
zine
worm zineclub
steekvlieg
fe.mini.ism
scifi zines
archive.org zines
queer zines archive
sticky institute
brown recluse zinedistro
echo publishing
syndicated zine reviews
broken pencil
zine nation
zinelibraries
diy cultures
zinewiki
Notes from the Underground (pdf)
zines as an artform (pdf)
zines for teaching(pdf)
Self-publishing in the global and local (pdf)
Stolen Sharpie Revolution







Go to the Collection (under construction)




marc van elburg homepage   zinedepo facebook    motel spatie homepage


xx



the Paradogmatic Wall of the Segregated Herd